I. Odegov'un "Chander'ı çıkar" hikayesinin kahramanı psikolojik portrenin sanatsal temsil biçimleri
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Anahtar Kelimeler:
: psikolojik portre, psikanaliz, sanatsal detay, duygusal durum, mekân-zaman imgeleri, İlya Odegov.Özet
Bu makalede, Kazakistanlı yazar İlya Odegov’un “Çıkarın Çander’i” (“Gelenler” hikâyeler döngüsü) adlı eserindeki başkahramanın psikolojik portresi ilk kez kronotop ve kişilikteki yıkıcı dönüşüm açısından analiz edilmiştir. Eserin kurgusunun temelinde, gezgin Artyom’un Hindistan’daki bir kasabada yaşadığı yolculuklar ve içsel deneyimleri yer almaktadır.
Araştırmanın güncelliği, modern Kazak edebiyatı temsilcilerinin eserlerini – özellikle İlya Odegov’un kısa kurmaca metinlerini – en yeni analiz yöntemleriyle inceleme gerekliliğinden kaynaklanmaktadır. Makalede edebiyat araştırmacılarının karakter yaratımında portreleme yöntemi, bu yöntemin türleri ve özellikleri hakkındaki görüşleri sınıflandırılmıştır.
Ampirik materyalin incelenmesi sonucunda, İ. Odegov’un eserinde kahramanın psikolojik portresini modellemenin başlıca araçlarının mekânsal-zamansal imgeler, psikolojik detaylar, duyguların, hislerin ve deneyimlerin yansıtılması ve fiziksel hâllerin betimlenmesi olduğu ortaya konmuştur. Kahramanın portresi, dinamik şekilde açığa çıkarılırken, zaman imgelerinin yoğunlaştığı da gözlemlenmektedir.
İ. Odegov özellikle “bugün”e – Artyom için kader belirleyici olan ana – odaklanmış, karakterin geçmişi ve geleceği ise yalnızca kısa çizgilerle verilmiştir.
Kahramanın duygusal durumu oldukça canlı ve belirgin bir biçimde sunulmuştur; korku, utanç, kaygı, çaresizlik hissi ve seçilen yolun yıkıcılığı gibi duygular detaylı şekilde gösterilmiştir. Başkahramanın ruhsal çöküş yolu, bireyin gerçek ihtiyaçlarına karşılık gelmeyen eylemler seçmesinin sonucu olarak verilmiş, bunun neticesinde hayatın anlamı, gelişim ve kendini geliştirme yönündeki isteklerini yitirdiği aktarılmıştır.
İ. Odegov’un “Çıkarın Çander’i” adlı hikâyesi, derin psikolojik analizleri ve anlatının felsefi yönelimi ile karakterize edilmektedir.
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