Interlude Connections in Rahimzhan Otarbayev's Novel “Bas”
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Keywords:
interlude, sculpture, novel, drama, traditional culture, interlude connections, writer.Abstract
The concept of interlude, as a category that includes systems and cultural codes that have emerged as a result of the interaction of different cultures, has become the subject of literary study. Intermediality in Kazakh prose is one of the most important areas of research in modern literary criticism. The main importance of intermediality is the analysis and interpretation of the interaction of art forms (music, fine arts, cinema, theater, sculpture, etc.) with literary works. In Kazakh prose, literature has been linked to all forms of art since the very beginning of prose, since Kazakh literature is inherently open to various intercultural contacts. The article discusses issues related to the genesis of the concept of interlude and its appearance in Kazakh literature. Based on the material of the novel “Bas” by writer Rahimzhan Otarbayev, the use of the term interlude is theoretically analyzed. The analysis of a work in the style of fiction by the method of interlude is the novelty of the article. The article analyzes the expression and function of sculpture in the text of Rahimzhan Otarbayev. The importance of intermedial communication in the process of analyzing a work of art is emphasized. The novel “Bas” reveals the influence of art forms (sculpture, poetry, drama) on the disclosure of a certain image, semantic connotation, and the psychological state of the characters. The national code is analyzed, and cognition is among the concepts that make up the elements of traditional culture. The article discusses forms of introducing elements of national culture into the world of literary creativity of the writer.
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